Somebody thinks we should be friends. Ready to find out?

“Their focus on best business practices, making sales at art fairs, and commitment to educating artists has kept me coming back.

Superfine has been instrumental in propelling me forward in my career.”

– Christopher Olson, Superfine LA + Superfine Seattle Artist


Seattle → July 27-30, 2023
New York → Sept. 14-17, 2023
Los Angeles → Oct. 12-15, 2023
Washington DC → Oct. 26-29, 2023
San Francisco (fall) → Nov. 16-19, 2023
Miami → Spring 2024
San Francisco (spring) → Mar. 21-24, 2024
Savannah → Apr. 4-7, 2024

You’re one call away from curatorial advice, insider tips, and professional guidance, provided by Superfine experts while selling your art and building your audience at the #1 art fair for independent artists in the US.

☎️ Get on the Phone
with a Co-Founder! 📞

 

Mari Robeson | Superfine SF ‘22 artist

 

Having trouble finding art collectors, marketing your art, and really zeroing in on the right audience for your work?

You’re not alone.

Consistently ranked among the best art fairs for artists in the world, Superfine Art Fair has helped hundreds of artists get over feelings of hopelessness and anxiety about selling their work while gaining visibility and — most importantly — finding new collectors for their work. Our Superfine Art Fair artists report feeling taken care of, empowered, and in control of their careers.

According to the New York Times, selling your artwork is what makes it possible to make more art. “And isn’t that what all artists want – permission to keep making it?”

Ready to replace anxiety with empowerment as you enjoy real world response from genuinely interested buyers, ongoing and continuous ROI, and expert art marketing guidance + insider tips?

Make art. Sell art. We do the rest. That’s why we’re one of the best art fairs for artists, in the world.

Curation

Our experts help you curate to sell. Isolate ideal price points, create winning layouts, + curate strategically for art sales success. As art fairs for individual artists, Superfine fairs provide that extra bit of training that helps you succeed.

Marketing

Our marketing is targeted, data-driven, and reaches an audience of pre-qualified buyers: eager, affluent 26-45 year olds with high purchase intent and high disposable income.

Education

Webinars, in-fair sales seminars by art marketing pros, and expert guidance are just a few of the ways our art fairs for individual artists help you learn how to sell art before, during, and after each fair.

Which booth is right for you?

8 Feet

Great option for current Superfine artists looking to enter a new market cost-effectively.

  • A single 8’ wide wall, 8-12’ high

  • No more than 4 medium/large works recommended

  • 1 exhibition-grade flood light

  • Includes 1 chair

  • All booths include artwork tags, your booth sign, and free packing for sold work

(Art by Ken Goshen)

$2,500

12 Feet

Our most popular and recommended option for first-time and repeating artists.

  • 1-2 walls, 8-12’ high

  • Multiple configuration options

  • More space allows you to curate to sell

  • 2 exhibition-grade flood lights

  • Includes 1 chair

  • All booths include artwork tags, your booth sign, and free packing for sold work

(Art by Cesar Finamori)

$3,500

16 Feet

Ideal for larger works and for artists splitting with a friend (the smallest size we allow for this).

  • 2-3 walls, 8-12’ high

  • Multiple configuration options

  • Allows you to vary the sizes of work you present even more (more sales + collectors)

  • 3 exhibition-grade flood lights

  • Includes 2 chairs

  • 2-3 artists can share a 16-foot booth as a collective to split costs

  • All booths include artwork tags, your booth sign, and free packing for sold work

(Art by Miguel Perez Lem)

$4,500

Looking for a BIGGER presence?

Not a problem. We offer booths from 20 to 32 linear feet for artists who need a little more space.

  • 3-6 walls, 8-12’ high

  • Multiple configuration options

  • Largest booths are placed in prime locations near entrance and lounges for maximum visibility

  • 4-6 exhibition-grade flood lights

  • Includes 2 chairs

  • Present 3-10 artists together for a more dynamic, captivating booth

  • All booths include artwork tags, your booth sign, and free packing for sold work

(Photo of Untitled Space)

$5,500-$8,500

 

Remember, we never charge a commission on the work you sell.

Got a Burning Question?
Send it to friendofsuperfine@superfine.world
or Fill Out the Form
⬇️ ⬇️ ⬇️

I have been incredibly busy with sales…

…over Instagram and Facebook, such that I am madly rushing between my little home-based studio and my laptop trying to keep up with sales and creating inventory.

The cachet of being in a major art fair continues to reverberate.”

– Jessica Ruth Freedman | Superfine SF

I loved every second of my Superfine Art Fair experience.

Even well before the fair started, James and the team patiently answered all my millions of questions which made sure I arrived at the fair with a clear and calm mind. The fair itself was an amazing experience, the atmosphere was so welcoming and warm.

I met a lot of buyers, interested gallery owners and public art representatives as well as brilliant fellow artists, and the very juicy cherry on top was that I sold 13 pieces over the 4 days! On top of that I also sold 2 more pieces after the fair had finished thanks to being on the Superfine website.

It felt like I was part of a great family and I can’t wait for the next one!”

– Valerie Auersperg | Superfine SF

Superfine has been a life-changing experience

that accelerated my career and created so many new relationships with artists, collectors, curators, galleries and journalists that

I still benefit from to this day.”

– Sean Christopher Ward | Superfine SF, NY, DC

We built an art fair for artists that works.

When we set out to create Superfine, our goal was to be the connection between artists and their buying audience. So many other art fairs for individual artists lacked the panache + marketing that bigger art fairs had, and didn’t provide any real value for the artists who exhibited. Combined with high barriers to entry for galleries and a massive new collector market that’s actually excluded from traditional art world settings, the game was clearly skewed against the artists.

We changed the game.

Since 2015, we’ve shown artists from around the world how to sell their art at our art fairs in NYC, Washington DC, Miami Beach, LA, San Francisco, and Seattle. Marketing art is second nature to us, and we love nothing more than to share that with eager, entrepreneurial artists.

“Unlike large corporate fairs, Superfine is an art fair run by people who love what they do. They have a passion for art and offer support and motivation to the participating artists.”

— Blair Martin Cahill | Superfine LA artist

We’ve revolutionized art fairs for individual artists, and the world’s noticed.

”The art-world antidote to 'the bloated, over-sized art fair model.’”

– Sarah Cascone & Caroline Goldstein | Artnet
Read More →

"Superfine isn’t a traditional art fair."

– Amanda Lauren | Forbes
Read More →

“Giving the traditional model of selling and acquiring art a run for its money."

– Sam Manzella | Logo’s NewNowNext
Read More →

Ready to Dive into Superfine Art Fair?

Any questions? We’ve got you.

⇣ (click questions to expand) ⇣

  • We use data and proven marketing strategy to reach both of our most important audiences — the artists (you!) and our visitors. The two things we don’t do are buy vanity ads (no proven return) or rely on free passes as a marketing strategy, something many of our competitors do. Data across twelve fairs proves that when people purchase a value-added pass to the fair, they’re over 3 times more likely to purchase art. We also poll each ticket buyer at the point-of-purchase (online) to find out their reason for attending the fair. Over 75% of ticket buyers indicate their main reason for attending as “I hope to buy art!” and because we’re targeting digitally, we know they have the income to do so. In this way, we establish the two most important criteria: disposable income and intent to purchase. We adjust strategy and ensure that our $100k per fair marketing budget is spent in speaking directly to this audience and bringing them to our fairs.

  • Simply put, showing in an art fair for artists gives you an unfair advantage and accelerates your sales growth as an artist. Showing at Superfine gives you access to a whole new pool of collectors that you’ve never met before. In just four days at a Superfine fair, you are extremely likely to develop more serious leads, meet more collectors, and make more sales than in the previous six month period. This is a conclusion we’ve found based on past exhibitor data as well as thousands of artist interviews. A major side benefit is that you retain all of your collectors and their data, along with your leads, and can use them to build a strong buying audience for your work as you expand your footprint across the US. Lastly, even with the advent of Instagram and online sales platforms, data suggests that art lovers are much more likely to buy work they’ve seen in person, and 70% of our surveyed attendees rank “Meeting the artist” at their favorite aspect of Superfine fairs. Conclusion? People want to meet you before they buy your art, and Superfine gives you that opportunity.

  • Not only do we show emerging artists how to sell more art, but we put our money where our mouth is. We’re a team that’s equal parts marketing expertise and critical, curatorial excellence. For us, a fair isn’t successful unless it elevates every artist within it, and we achieve that through a detailed curatorial process that we make very easy on your end, but entails lots of effort on ours. The result is a finished product that we and you can both be proud of. Our fairs are for artists who want to expand their current footprint, reach and sell to a whole new group of collectors, and do so in an environment that’s every bit as professional as it is enjoyable and comfortable for our audience. We also give you all of the tools to learn how to sell art, not just within your Superfine experience, but beyond the fair and into other markets you reach through us. We cut no corners in our production and we’ve developed an economic model that’s sound and doesn’t rely on outside sponsors, who become the predominant client when they’re footing the bill. Our primary client is you, and we’ve developed systems that work and are designed to serve you and help you meet more collectors, sell more art, and have an easy, efficient art fair experience guided by experts in the field.

  • We encourage you to read through our Covid Compliance Commitment, as well as this article we were featured in on Forbes! Superfine is ready to get your art in front of serious art buyers again, in a safe and socially responsible way. Limited-timed entries, unidirectional floor plans, and transparent marketing will ensure our audience is serious, engaged, and excited to meet you and buy your art.

  • Yes! We highly recommend selling low-edition prints from $75-$250 along with your original work. This is a low-friction way for you build collectors who’ve demonstrated the commitment to pay for your work, and you can encourage them over the course of your career to both expand their own purchases of your art, and expand your audience through introductions.

  • Absolutely not. Superfine is a full-scale art fair, not a gallery, and we function on a client-provider model rather than a revenue sharing model. Our fairs are, put simply, a marketing platform. When you exhibit, you contribute to a budget that covers excellent production, marketing, and service, and that is what you receive. We do not take any commission on the art you sell at the fair.

  • Our fairs are limited in number of artists, and applications are accepted or denied on a rolling basis. The time to apply is when you know you want to exhibit, and have the finances to secure at least a 1/6th deposit (ranges from $400 to $1,500 depending on your booth size and is due within three days of an accepted application.) Remember, you may also pay upfront for a 5% discount. If you’re keen to exhibit, we strongly recommend against waiting until the last minute. Booth sizes sell out, especially 12-foot placements (our most popular) and 8-foot placements (we limit these intentionally to artists whose work suits the smaller exhibition space).